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testimonials
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TESTIMONIALS


Stefán Höskuldsson, Flutist

“The Emanuel flute has been an incredible discovery for me.  This superior instrument offers both strength and incredible beauty of sound, from the softest to the loudest of dynamics with endless colors and articulation.  In the opera repertoire it is like a supporting voice, with both sonority and presence.  With an impeccable scale, it also offers a very sturdy and precise mechanism.  It is a flutist’s dream come true!”

Stefán Ragnar Höskuldsson
Principal Flute, Chicago Symphony Orchestra
http://www.stefanragnarhoskuldsson.com


Liebermann Flute Concerto

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Maron Anis Khoury, Flute

24 year-old Arab/Israeli virtuoso flutist Maron Anis Khoury has recently been appointed to the second flute position with the Metropolitan Opera orchestra in New York City. Khoury started playing the flute at the age of 11; three years later, he was admitted to the Curtis Institute of Music in Philadelphia to study with renowned flutist Jeffrey Khaner, and graduated in 2009.

Khoury has performed under the direction of Maestro Daniel Barenboim, Otto Werner Mueller, Christoph Eschenbach, and Michael Stern. Prior to enrollment at Curtis, Khoury studied with Eyal Ein-Habar and Uri Shoham (Israel Philharmonic), Sara Andon (Idyllwild Arts Academy), and David Shostak (Los Angeles Chamber Orchestra.)

Khoury is a recipient of several grants from the Curtis Institute of Music and the Charles M. Kanev Memorial Fellowship. In addition, he is a winner of the America-Israel Cultural Foundation Scholarship and the Schoen Fellowship Grant in honor of Charlotte White

Maron Anis Khoury
2nd Flute, The Metropolitan Opera Orchestra


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Stefanie Mortimore, Piccoloist

“My Emanuel Flute changed my life."


 




Stefanie Mortimore
Piccolo, The Metropolitan Opera Orchestra


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Claudio Barile

From the first moment that I tried my Emanuel headjoint, I knew that this
was better than anything else I had ever played. I immediately began using
it for my work as flute soloist with the Buenos Aires Philharmonic, and
playing it for chamber music and solo performances.

I am very happy with the move to my new 14K gold Emanuel headjoint. It
allows limitless possibilities for musical expression and expansion,
color, dynamics, and flexibility. I am so grateful for the wonderful work
that Emanuel has done to advance the capabilities of the instrument.

Claudio Barile
Solo Flutist, Buenos Aires Philharmonic
Buenos Aires, Argentina

http://www.claudiobarile.com/




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Julia Bogorad

“With my Emanuel Flute I have found the beauty and power of tone that I have known with my Louis Lot flute, plus a modern scale, articulation and projection.
The workmanship is beautiful and it is a joy to play!”

 

 

 

Julia Bogorad-Kogan
Principal Flute St. Paul Chamber Orchestra
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